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In fiction you make the Chinese secretive, criminal, and terrible—or comic. ‘I don’t want him having an apoplexy in this house. A ball from Wild's pistol passed through his heart, and a volley of musketry poured from the guards lodged several balls in the yet breathing body of his leader. As Leonardo had himself pronounced, who better than a mountebank to teach of the perils awaiting the unwary? Who better than a wastrel to demonstrate the worth of thrift? And who could instruct better in the matter of affections than one who had thrown them away? ‘If he had loved me,’ she said, in the flat tone she had learned to use to conceal her vulnerable heart, ‘he would have left me at Remenham House to live a life of an English lady.

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